Work in Progress

Porcelain Ears

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Porcelain ears need to be simplified down to the most basic shape to be released from the mold, and then details carved back in after de-molding or after the soft firing.

 
 

In this stage, porcelain is as fragile as an eggshell, and can’t tolerate any pressure or force.

 
 

Carving of details has to be done with the softest feather touch and the sharpest of tools. Or everything breaks into pieces.

 
 

But when everything goes right, the beauty and permanence of high-fired porcelain is simply incomparable.

 
 

Next step is china-painting.

White Peacock Queen

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Peacock Engraving Tattoo 1st layer down, 7 more to go! The dark is my base, and now I’m gonna start making it look real pretty! For my next firing layer I’m painting the skin tone in 2 shades of Lotus and Peaches, and introducing white highlights to the feathers to make the bird POP! She is a White Peacock Queen!

 

Earth’s Children

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What does this porcelain doll and the Amethyst geode she nestles in have in common? They are both Earth’s minerals, born deep inside the earth millions of years ago! They are children of the earth, and her treasures!

It moves me to think of Enchanted Dolls as Earth’s children, while the ancient process of using heat to transform brittle clay into hard, translucent porcelain, makes me feel connected to our ancient origins.

Porcelain is combination of Feldspar rock and Kaolin clay, while the Amethyst quartz grows in igneous rock.

I think it’s a huge part of why I keep choosing to work with porcelain over other, more modern, epoxy based materials - there is an ancient, natural magic in it that goes back to the begining of time and the birth of our planet. It’s Earth magic!