Work in Progress

The before and after silver bead caps

 

 I've spent the last few days finishing off my most recent doll Theodora Rex, which is based on a historical Byzantine Empress. I've been failing to arrive at the final composition that resonates with my inner vision of her, having constructed, tried and abandoned several different accessories to compliment her jewelled head piece and her collar of gold. I believe that when the solution to an almost finished piece proves to be stubbornly evasive, then the problem is not just with details - There is something fundamentally wrong with the whole thing from the bottom up. The best course of action at that point, is to stop tweaking little details, identify the 3 main elements essential to the composition, strip away the rest and start layering supporting details from the beginning. Yes, it's pretty upsetting having to destroy several days worth of work, but sometimes it's not just the right thing to do, but the only thing to do. Destruction is a form of creation.

These sterling silver filigree bead caps might be the key to unlocking my composition problem. I embellished them with tiny seed pearls and gold-plated them to look more Byzantine. Theodora is already wearing them, but something else is still missing there...I'm gonna call it a 'soft' finish for now and see if she 'speaks' to me in the days to come about what else she needs.

It's time to move on. 

Making Empress Theodora doll

 
 

She'll be premiered at Spectrum fantasy convention this weekend in Kansas City, along with two other new dolls. I won't have anything for sale at the event this time, but we will be giving away posters and if you come, you will be the first ones to see the new dolls!

Oh my god, I've got so much to do today...

The grinding chamber!

 
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No, that's not a title of a campy horror flick, though blood does get spilled in there from time to time.

I finish my metal works in that invaluable little glass 'room', which contains the heavy dust and metal shavings until they get sucked up into the extractor. Before I got this baby, I would loathe the thought of doing metal finishing, as my desk and my whole studio would get very dirty and dusty, but since I got this chamber for my debris extractor, the cleanup is minimal and working conditions are safe. I love safety.

I bought the main plastic shell online, and then extensively customized it to fit my needs better, adding side walls and leather flaps. The problem is that it's plexy glass and it's starting to get really scratched up by all the high velocity debris flying around in there, and once it gets too cloudy to see through it, I'm going to have get a new one and customize it all over again.

Luckily my little grinding chamber still has lots of hours on it, which reminds me that I've gotta go back 'in there' and set some stones into the cone for the upcoming show doll in Berlin. Stay tuned for the pictures in a few days!

Enchanted resin dolls have glass eyes

 
 
 
 

And tiny eyelashes!

At first I wasn't sure if I wanted to give my resin dolls glass eyes, but once I found the right kind of eyes, I was won over. This in turn, allowed me to give these dolls real eyelashes, something I've always wanted to do, but was unable to due to the shallow surface area of porcelain eyelids. The eyes are tacked on with a sticky gum inside, which means they can be changed fairly easily. The head cap is magnetic and the head is removable from the rest of the body. The doll is strung up with elastic and it articulates and holds poses very well. I am very happy with the quality of resin and the soft, satin glow of the skin.

Tomorrow I'll shoot all my newly painted resin dolls and show you all of it!